The day is finally here! After much tireless effort, OVA: The Anime
Role-Playing Game's Kickstarter is live! You can check on its progress
to the right, or click the link below to find out more.
I want to thank all of you who supported a little anime-inspired game
I made 8 years ago. I hope you find the new version was worth the wait!
Wednesday, May 8, 2013
Monday, April 23, 2012
Judging a Book by Its (New) Cover
Those of you who have been waiting for a proper OVA update need wait no more. Here it is, the new cover! (Click to see it in its full-size glory.)
Even though this isn’t final, hopefully you all will find lots to love in the revised cover design. Like the rest of the book, the cover illustration is done by talented Niko Geyer, and you may even notice a new look for Wise Turtle Publishing itself!
The Kickstarter for OVA (previously mentioned here) is slated for late June/July, just in time for the game’s 7th anniversary. I’m still tinkering with the pledge premiums list, so if you have an opinion, be sure to let me hear about it! What sort of things would make you back at a higher level, and what would you pay for it? Gauging consumer interest will be very useful before jumping in the crowd-funding deep-end!
Keep checking by, as I will continue to post OVA updates leading up to the Kickstarter, including a look behind the curtains as I finalize the typesetting of the rules.
Even though this isn’t final, hopefully you all will find lots to love in the revised cover design. Like the rest of the book, the cover illustration is done by talented Niko Geyer, and you may even notice a new look for Wise Turtle Publishing itself!
The Kickstarter for OVA (previously mentioned here) is slated for late June/July, just in time for the game’s 7th anniversary. I’m still tinkering with the pledge premiums list, so if you have an opinion, be sure to let me hear about it! What sort of things would make you back at a higher level, and what would you pay for it? Gauging consumer interest will be very useful before jumping in the crowd-funding deep-end!
Keep checking by, as I will continue to post OVA updates leading up to the Kickstarter, including a look behind the curtains as I finalize the typesetting of the rules.
Thursday, August 25, 2011
Ain't That a Kick in the Head?
With the obligatory channeling of Dean Martin behind me, I want to talk to y’all about a potential Kickstarter campaign for OVA. For those of you unfamiliar with the concept, Kickstarter allows creators to raise money to fund their projects. Fans pledge varied amounts of money, with higher pledges netting them increasing rewards, benefits, and goodies. If the total amount of pledges reaches a number set by the creator, the project is funded. If it falls short, no one pays a dime. It’s a low-risk way to support projects you care about without worrying if it will actually happen or not.
What I’m curious about is what sort of incentives will actually interest you enough to pledge. I’ve included a list below of ideas I had as additional bonuses to the basic “preorder the book” option. Which fill you with excitement and a prurient desire to part yourself from your money? Which instill only a tepid response?
A ranked list isn't required, but whatever time you can spend detailing your interest would be greatly appreciated. I want to gauge which of these are wanted most, and how much you would be willing to pledge to attain a given reward.
Under each item I have included a description and additional points of inquiry for discussion.
Early Access to the PDF
Self explanatory. How much earlier than its release date would you expect to see it? What would the least amount of time be to feel you’re getting something?
Signed Copy of the Book
Would personalized inscriptions increase your interest in this?
Trading Cards
Cards featuring art from the game. May also include quick reference for character stats or an extremely simple mini-game.
Limited Edition Box
A box including the book, quick-start player books, character sheets, and a set of dice.
Art Prints
Frame-able prints of artwork from the game. What size would you want to see most? Or would you like to see it poster-sized?
Wall Scroll
Artwork from the game printed on a wall scroll just like the ones you see for commercial anime.
Character Figure
A painted mini sculpture of one of the OVA characters, similar to ones common for most anime. Which character would you most want to see given this treatment?
Personalized Character Pin-Up
An illustration of your OVA character as part of a custom-designed character sheet.
Lifetime Wise Turtle Subscription
Free access to all future Wise Turtle products. Includes PDF and print versions. FOREVAH.
So? What do you think?
Tuesday, August 9, 2011
OVA Chapter Preview
It's been quite a spell since I've had much in the way of news for OVA. Progress has been slow, but I'm happy to say things are finally moving along at a steady clip. We'll see a 2011 release yet!
But I don't want you to have to take my word for it. Just click here for a complete chapter from OVA Revised Edition.
Hopefully it'll whet your appetite for what's to come!
Friday, January 21, 2011
Shell Games
So! I've started a new blog, detailing my thoughts and adventures in gaming and design. If such things interest you, drop on by. If you like what you see, share with your friends! Eventually you may even see behind-the-scenes looks at other games I'm tinkering on. And a few turtles. That's always good, right?
Edit: If you've already read this post, you may have noticed I forgot the link. That's not very useful! Look above for the proper location. Thanks!
Wednesday, December 29, 2010
OVA Print-On-Demand Details
DriveThru RPG and RPGNow continue to gradually roll out their Print-On-Demand service to customers week by week, but by now many of you should be able to order the book. Even better, you can get it for the thrifty price of $14.95. That's a $5 savings over the original release, and that doesn't even include the $5 coupon offer!
I just got my copy in today. For those of you who care about such things, I thought I should detail how it differs from the original print run. (Or how I think it differs. Due to some mismanagement, I never received a copy of OVA. Strange, sad, but true! Anyone who has a mint copy laying around I'd be glad to pay a premium for it! *laughs*) Err...back to the topic.
I just got my copy in today. For those of you who care about such things, I thought I should detail how it differs from the original print run. (Or how I think it differs. Due to some mismanagement, I never received a copy of OVA. Strange, sad, but true! Anyone who has a mint copy laying around I'd be glad to pay a premium for it! *laughs*) Err...back to the topic.
- The advertisement for webcomics and the original feedback form have been removed.
- The original ISBN has been removed and replaced with the DTRPG/RPGNow logos.
- The print quality is good, but not great. Flat areas of color have a splotchy effect, images are not as sharp as they could be, and there is no bleed on the pages. Bleed is what allows artwork and graphics to reach the edge of the page, and without it you may see a thin white border on some of the pages.
Saturday, December 11, 2010
OVA Delayed, but Back In Print!
Unfortunately it's true: OVA has missed its promised release date. While the text itself is mostly complete, art acquisition has been slower than anticipated. I'll be forgoing a new release date, but progress is being made, and I'll be doing my best to keep everyone in the loop.
But what about that second part? Well, the good news is that the original OVA, which has been out-of-print for years, is available once again through DriveThruRPG and RPGNow's new Print Program! The service is currently open only to beta testers, but each week they will be adding the feature to a batch of customers until the program is rolled out to everyone. Keep checking OVA's product page to see if you're one of the lucky ones!
But wait, there's more! No, it's not a free set of knives or a handy vac, but even better. Every customer who purchases either the OVA PDF or Print-On-Demand book from December onward will get a $5 off coupon good towards the Revised Edition of the game. It's my apology to everyone who has put off purchasing the game in anticipation of the revised book. Hopefully this coupon will ease the wait!
Saturday, July 17, 2010
Good Things Come to Those Who Wait...
12-11-10
That's OVA's new release date. I know this comes as a disappointment to many of you (or an inevitability already expected by WT Forum goers), but it's only in the interest of making sure that OVA will be the best RPG it can be! Using a single artist has been a bigger time-sink than I expected, and there's been quite a few pitfalls along the way, but everything should progress smoothly from here on out.
Just so today isn't completely devoid of good news, I have also updated wiseturtle.com with its new look! Eventually the site will feature subsections devoted to each game made by Wise Turtle Publishing, but for now, it's just a preview of things to come.
Hope everyone is doing well in internet-land, and thank you for your continued interest and support.
Thursday, April 1, 2010
April Fools! OVA d20: The Future of Anime Role-Playing
Anyone who has seen their favorite local gaming shops close or the RPG section of Barnes & Noble steadily dwindling knows firsthand that it's not a good time for RPGs. The truth of the matter is, if you're not Dungeons and Dragons, your product isn't moving, and that's a scary market to be entering after some years away.
So I've decided to embrace that and radically shift OVA to the d20 system. Fret not, I'm not abandoning all that made OVA great, just applying it to the shell of the new 4e d20 system. Your favorite Abilities and Weaknesses return, but in slightly edited form. They're now Aspects, and are intrinsically linked to the new Background/Class system.
At character creation, Players pick two archetypes for their character: Background and Class. Background represents the characters' upbringing, personality, and natural adeptness. Class represents training, vocation, and skill. When you gain a level, you get to choose new Aspects based on these choices: At odd levels, one from your Background group, at even one from your Class.
For example, Yuu might have the "Kid" Background and the "Monster Trainer" Class. Aspects from Kid include "Intuitive", "Quick", and "Game-Logic" while those from Monster Trainer include "Sic'em" and "Animal Empathy." Each Background and Class also has built-in negative aspects, eg. "Ageism" and "Competitive." Voluntarily taking other negative Aspects will grant free positive Aspects, and even better, you can pick them from other Backgrounds/Classes.
I've been working on this tirelessly for the past few months, and I'm really excited about it. And the good news is the release date should remain the same. I know it's a lot to digest, but I hope you all will become as excited about this change as I have. Even if you aren't, please comment and let me know!
So I've decided to embrace that and radically shift OVA to the d20 system. Fret not, I'm not abandoning all that made OVA great, just applying it to the shell of the new 4e d20 system. Your favorite Abilities and Weaknesses return, but in slightly edited form. They're now Aspects, and are intrinsically linked to the new Background/Class system.
At character creation, Players pick two archetypes for their character: Background and Class. Background represents the characters' upbringing, personality, and natural adeptness. Class represents training, vocation, and skill. When you gain a level, you get to choose new Aspects based on these choices: At odd levels, one from your Background group, at even one from your Class.
For example, Yuu might have the "Kid" Background and the "Monster Trainer" Class. Aspects from Kid include "Intuitive", "Quick", and "Game-Logic" while those from Monster Trainer include "Sic'em" and "Animal Empathy." Each Background and Class also has built-in negative aspects, eg. "Ageism" and "Competitive." Voluntarily taking other negative Aspects will grant free positive Aspects, and even better, you can pick them from other Backgrounds/Classes.
I've been working on this tirelessly for the past few months, and I'm really excited about it. And the good news is the release date should remain the same. I know it's a lot to digest, but I hope you all will become as excited about this change as I have. Even if you aren't, please comment and let me know!
Monday, January 18, 2010
Release Date
07-17-10
OVA will be celebrating is 5th anniversary this year on February 12. So you can look at this as sort of its 5 year, 5 month, 5 day anniversary. On the issue that you cannot actually include months and days in the nice definition of anniversary – I think we can let it slide.
But don't abandon this blog just yet, dear readers. While the weekly update may be gone, I'll still be peppering this place with news, artwork, and other OVA-inclined content. Be sure to add this blog's RSS to your reader of choice so you don't miss a thing!
Thank you all for your readership and support.
OVA will be celebrating is 5th anniversary this year on February 12. So you can look at this as sort of its 5 year, 5 month, 5 day anniversary. On the issue that you cannot actually include months and days in the nice definition of anniversary – I think we can let it slide.
But don't abandon this blog just yet, dear readers. While the weekly update may be gone, I'll still be peppering this place with news, artwork, and other OVA-inclined content. Be sure to add this blog's RSS to your reader of choice so you don't miss a thing!
Thank you all for your readership and support.
Monday, January 11, 2010
After the Story
Here we are, nearing the end of this blog's weekly updates. In fact, there is only one more left: Next week you will finally discover OVA's fabled release date!
With the release of the Revised Edition looming, I can't help but reminisce about the beginnings of the game I created. I didn't have a clue what I was doing, learning the skill sets required as I went. I picked up how to use Quark through trial-and-error, conquering all its idiosyncrasies and adventure-game-like unintuitiveness. I concreted my knowledge about a confusing print industry, with all the fiddly dpis, weights, and measures that entails. It was a lot to learn in a short period of time, but I loved every minute of it. Well, maybe not every minute, but you get the idea. It was an experience that not only resulted in my first published book, the same that many of you have already read and enjoyed, but one that has intensified a love of typography, of books, and of design. Without OVA it's pretty certain I wouldn't even have my day-job as a graphic designer.
It's hard to believe nearly 5 years have gone by since then. I might use InDesign now, and the industry I broke into may no longer be the strange, mysterious place that invoked a childlike bewilderment and wonder. But somehow, all the feelings are still there. OVA was the culmination of decades of playing games and dreaming of making one of my own. And even with a new coat of paint and a baker's dozen of patches, refinements, and fixes. It's still that game. My first that I dreamed about many years ago.
Karis was the first character I wrote up for OVA, and somehow it's fitting that she's the last design revealed here. She's still the same hot-tempered bounty-hunter we know and love, just a little bit cooler in every way. Arasuni on the other hand is quite a change in more than one respect, but he is actually much closer to his original concept.
Monday, January 4, 2010
Mastering the Medium
I originally wrote OVA to be friendly to anime fans. Considering that it is an anime RPG, that made a good deal of sense. However, I think I made the errant assumption that someone who likes anime will automatically know how to create a story that conveys the same flair and oomph of the medium.
I plan to rectify that with an expanded Game Master's Section. While the same advice for running RPGs will remain, expect to see a lengthy discussion of common anime tropes and plot devices, along with a crash course on some of the more pervasive elements of Japanese culture. It's not an exhaustive discourse, but it should serve as a sufficient introduction, as well as a useful quick-reference for ideas. More in-depth discussion of specific genres will be left for the (eventually) forthcoming Genre Books.
So Readers, is there any information you feel is essential for a proper anime campaign? I hope the New Year is treating you well so far!
Saspar is a master of one thing, and that's the use of his magical gun. Despite his blindness, he is an unparalleled marksman, and his spell-powered ammunition makes him a fearsome foe. But at heart, Saspar is a sad and indifferent man, following orders only because that's all he knows how to do. His narrow focus also makes him oblivious to the affections of his partner Acacia...
Monday, December 28, 2009
Level Up!
An integral part of any role-playing game is the growth of its player characters. But with a game like OVA this can be a tad problematic. Since the game doesn't shoehorn Players into creating characters of a certain power level, you can often see the green-behind-the-ears apprentice fighting side-by-side with the old hat magician. While it's perfectly feasible for a neophyte to rack up experience quickly and gain power exponentially, the grizzled sage should, if we listen to anime, not progress much at all. With the old experience system, there is some slow-down when you talk about higher level Abilities. But even if you're progressing from Level 4 to the ultimate Level 5, you can theoretically gain the appropriate number of points in two or three adventures. Obviously not ideal.
The Revised game gives the Game Master more control by applying one of three Experience schemes on the Players: Fast, Moderate, and Slow Growth.
Fast Growth is effectively the old system. Spend an Experience Point for every level of the Ability you want to attain, making sure to buy all levels in between. Going from 3 to 4 would costs 4 points. Going from 3 to 5 would cost 9 points – buying both Level 4 and Level 5 at a one-for-one basis.
Moderate Growth makes you multiply the cost by 5. Going from 3 to 4 would now cost 20 points. Characters will still progress, especially if they're just buffing up some of their weaker points, but they will no longer shoot up with wild abandon.
Slow Growth is, obviously, the slowest method, appropriate for games with experienced characters who you don't really expect to change much even after many adventures. The cost is multiplied by 10. Going from level 3 to 4 would now cost 40 points.
The Game Master may apply these schemes to all the PCs as a whole, or individually as appropriate to their archetypes/power level. The actual book gives more guidelines on doing this. I'm still tweaking the actual numbers involved, and using 1, 2, and 5 as multipliers might be more appropriate. Feel free to weigh in with your thoughts!
As before, OVA will also allow players to dispose with traditional Experience spending entirely with guidelines on simply role-playing it out. Game Masters can also choose to give "free" Drama Dice in the stead of (or in addition to) normal Experience. While these can obviously be used during the game, these free Drama Dice may be spent between adventures to influence the course of upcoming events – and just maybe justify the chance to role-play the upping of a character's Abilities. "I want to meet a master like King Kai and train!" And so on.
Natsuki has spent all her Experience Points on one rather massive addition, her power glove. It's so bad! While its massive heft prevents her from using it every attack, it adds a serious punch to her martial arts repertoire, and gives coworkers all new things to fear at board meetings. Maybe with this new weapon in hand, she can recover her precious pet project...MIHO!
Monday, December 21, 2009
Happy Holidays!
Hope everyone has a happy and safe Christmas this year! (And if you choose to observe some other equally festive holiday tradition, I hope you had/will have a smashing one just the same!) May your stockings be filled with d20s that always roll critical hits! And if you get a lump of coal, you can always carve it into one. Craftiness is key!
Even Wise Turtle can get into the spirit every once in a while...
Monday, December 14, 2009
Expanding the Demographic
It was no secret when I designed OVA, I wanted to make the game accessible to anime fans. Not just gamers who happen to like anime, but the kind of fan whose only experience role-playing was on a free-form message board. There are tons of anime otaku out there who are keenly interested in telling their stories, but have never heard of this kind of gaming, or have been frightened off by RPGdom's more complicated inhabitants. (I mean you, Dungeons and Dragons. I still haven't forgotten THAC0!) OVA focuses less on lots of funny dice, experience levels, and pages of battle tactics in favor of making it easy to be exactly the character you want to be, and I think that's a clear step in the right direction.
But, having spoken with many, many players of the game over the past years, by and large the people who play OVA are the same gamers who play most other pen & paper RPGs: 20–40-something males. That's not to say my faithful readers aren't great people, as I'm very lucky to have such devoted, creative, and wonderful fans, but it certainly goes to show I didn't quite succeed at my goal.
The rules are even more streamlined now, which is a plus, but I think the key is getting the book where the anime/manga fans are. These days, that's the bookstore. Sprawled in the aisles, blocking all the new releases, you know who you are! With OVA next to Naruto and Fruits Basket, I think a curious manga fan will be more likely to come across it.
Of course, getting a book on the shelf is easier said than done. Book store distributors are notably unfriendly with companies with small catalogs, which essentially requires me to team up with another, larger company. We'll just have to see if that pans out.
But there's more to this goal of expanding readership than that. I know countless people out there are already role-playing, using Internet chatrooms and messageboards as a vehicle for their creative impulses. How does one show them the magic of gaming? Maybe more creative marketing is in order. Any suggestions out there?
Fukiko exemplifies a possible demographic. Then again, when a magical locket lets you transform into Lovely Savior Myu Myu and fight crime just like the comics, who needs a role-playing game?
Monday, November 9, 2009
OVA Replay
While perhaps not as robust as its Western counterparts, Japan's RPG scene has been plugging along for quite a few decades now. Arguably the most unique aspect of their version of the hobby is the replay. Right next to the latest translated American RPG and a new indie offering, you'll find volumes of them. But what are they?
A replay is much like it sounds, a written record of a gaming group's adventures. They read like a play, but are complete with player commentary and even character-generation sessions. They're the rough equivalent of our RPG novel lines and often serve as an introduction to curious Japanese would-be gamers.
You may be more familiar with them than you think. Ever seen Record of Lodoss War? While parallels to D&D are easy to make, it may surprise you to know that Lodoss was actually a series of serialized replays. Depending on which version of the story you listen to, it actually was a (heavily homebrewed) Dungeons and Dragons campaign!
That's all well and good, but what does it have to do with OVA? Well if replays are such a gateway to gaming in Japan, I see no reason to let them have a monopoly on the concept. I hope to do this with a quarterly ezine called - appropriately enough - Replay. While there will be news and letter columns too, the crux of the publication will be a rotating selection of replays from gaming groups just like yours!
Of course, this requires gaming groups willing to do it. Taking a tape recorder (or a stenographer) to the table may be a turnoff to some players, and since this will be a free, or at least bargain, publication, there's not much room for paying gamers for their time.
So what do you guys think? Does the idea of following RPG adventures every few months sound exciting? What would it take for you to contribute? Is fame, glory, and perhaps art of your group's characters enough incentive?
I leave it to you, readers!
Monday, October 26, 2009
Smooth Criminals
While there are plenty of new Perks and Flaws, and a number of refinements to them, one a lot of you may appreciate is the revised Ranged Perk. What's so great about it? For one thing, it's free!
Well, sort of. Ranged has been split into two separate Perks. The first is simply Ranged, which does what you expect it to: allows Attacks and other Abilities to be used in a distant-y fashion. In the old game, this Perk tacked on a +5 Endurance cost. The most obvious consequence of this was it made making grunts with handguns problematic. They can barely afford +1 Abilities, much less be saddled with Endurance costs. But even for full-fledged heroes, I found you didn't get very much bang for your buck. Since OVA assumes that everyone in a given scuffle can reach anyone and deliver a beatdown barring some satisfying excuse (sniping from a building, dropping stuff from a zeppelin, or otherwise being justifiably far away), it just wasn't worth the Endurance expense for such a marginally useful Perk.
Of course, the new Ranged didn't get off exactly scott-free. It's now made expressly clear when you use this Perk that you do not get to add any Strong bonuses. Also, unlike hand-to-hand attacks, ranged fighting is guaranteed to mess up the surroundings, which pending on the locale, can be a very bad idea.
But if you like your attacks with a little muscle, you can purchase the Ranged, Strength-Powered Perk, allowing you to put your full might into it in exchange for the +5 Endurance cost. Overall this seems a little fairer, and it certainly settles once and for all what Ranged Attacks get to add Strong and which do not.
These two use the Ranged perk in both of its new facets. Ancel knows all about attacking his opponents from a distance using a grand arsenal of weaponry and his expert skill. Zurkrieg's raw power is evident in everything he does, but he certainly exhibits it when using his length-changing cane. But with their stylish suits and unassuming day jobs, you may not see the danger until it is much too late.
Monday, October 19, 2009
Black Magic Woman
For those of you who remember Yuu's introduction a while back, you've probably been eagerly awaiting what other new face is in store for OVA. Enter: Carol*!
Carol is a mish-mash of quite a few archetypes, which befits her mixed heritage of an African-American father and a Japanese shinto priest. Despite her inherited talents for seeing spirits, Carol spent most of her life shunning it in favor of the glamor of stage magic.
But the death of her teacher at the hands of a malevolent spirit caused her to adjust her view on things. Now accepting her mother's talents more openly, she runs a paranormal detective agency. It's a pale facade for her real goal: to someday meet up with the spirit that had changed her life forever – and do more than simply send it back to where it came from.
So, basically, you have a gumshoe-shintoist-stage magician that can use playing cards like ofuda, traditional Japanese paper talismans. Only in anime!
* Name is subject to change. What can I say, I'm indecisive.
Monday, October 12, 2009
More than Meets the Eye
So readers, those of you who have been with us for a while may remember a rather stellar idea that I've decided to run with: Dust Jacket as GM Screen. If a dust jacket proves to be a feasible, economical addition to the book, you'll see the backside littered with extra information for budding and veteran Game Master's alike.
Of course, let's not kid ourselves. OVA is no Rolemaster, so there's not exactly a bounty of things that have to be kept within eyesight at all times. So then, what would you like to see on such a screen? I think the Difficulty Chart is a shoe-in, and I'm also considering a small multiplication table for those of us less comfortable with the Damage mechanic. But what else? Most of the oddball Ability Endurance costs would've been a nice fit, but now that such things have been done away with...Likewise, what few tables are left are pretty consistent and easy to remember. So what will it be? What do you all wish you had at hand at all times? I'd love to have more nonstandard stuff like the multiplication table, things that have no business in the book proper but nonetheless might prove convenient to gamers.
Monday, October 5, 2009
Information at Your Fingertips
In the old OVA design, the black bar on the side was originally intended to vary in length to signify the current chapter, making them easy to skip to when the book's edge is looked at askant. But once put into action, the idea didn't work at all, resulting in a bar too short to fit chapter titles in later chapters and absurdly long in early ones. It was in general odd-looking and tossed in favor of the uniform look we're all familiar with.
But I think quick thumb action is always a good thing in an RPG, and this time around there are little white markers that clearly signify the number of the chapter. Need Abilities and Weaknesses? That's chapter 3, and thus signified by three marks.
Of course, given the relative simplicity and short length of OVA, I'm not entirely sure its actually necessary. What do you guys think?
Monday, September 21, 2009
Show Me Your Moves!
To make them easier to understand and integrate into your games, all of the Sample Characters now have a "Combat Block" that details all the major information needed for encounters in one easy to access place. It also moves the incomprehensible block of detail that used to be under Abilities like Power Move to another section, making the Abilities list much easier to look at, too.
This is a sample of what it looks like, though the final version that appears in the book may differ slightly. So if you notice anything you'd like to see or find any of this version confusing, be sure to leave a comment saying so!
And yes, the character sheet will feature a similar block.
Monday, September 14, 2009
The Price of Game
It's been quite a few years since I first set the price on OVA, and it's hard to ignore that the economy is in a different place than it was in 2005. While the eventual price of the book will depend on many factors, ranging from decisions regarding color, binding, publisher, and countless other details, I have a lot more leeway deciding on the PDF price.
Originally, I was pretty firm on the idea that OVA would be a $20 book, and that a PDF should never retail for more than half of the print book's price. At the time, it was pretty standard for the big guys to release PDFs retailing at the print prices. This struck me as beyond ridiculous. You're not paying for paper, printing, binding, or shipping, but you're charging the same thing? Wha?
But OVA may not be $20 anymore. Books are getting more expensive to produce, especially if I make the leap to full-color and expand its page count. This isn't even mentioning that I'm spending significantly more on the art. So what is a PDF worth? I've seen similar products (of kin theme, size, and arguably production values) consistently retail for $15-16. This seems a bit stiff to me, but even the cost to produce a PDF has gone up, with most of the retail spaces taking an extra 10-15% than they did when I first made OVA. But OVA's affordability has always been one of its strengths, and it's something I'd hate to lose to satiate a bottom line.
So readers, what I'm asking here is for your honest experiences. What is the most you've paid for an RPG PDF? Did you feel cheated? Likewise, what was the biggest bargain on a PDF? What is the delicate price point that seems appropriate to you, not too little but not too much?
Of course, I realize asking the consumer what they'd like to pay is sort of a conflict of interests, but you guys are a mature bunch, right?
...right?
Monday, September 7, 2009
Rock Your Socks Off
There's quite a few changes going on with OVA, but there's quite a few things that are just new, too. OVA is stocked with even more Abilities and Weaknesses, all ready to flesh out your character – or just give you ideas while reading the book. There are Abilities that cover broad ranges of knowledge or vocation, like Performer and Con-Artist, and new background Abilities like Connected. Weaknesses have been fleshed out too, with new options, like Greedy, and opposites for current Abilities, like Dull, the missing companion for Charismatic. There's also more ways to limit other Abilities with the new Endurance Use and Limited Use Weaknesses. And that's just to name a few!
With his charm and undeniable musical talent, Daisuke is an unsurprising showcase of the Performer Ability. But that skill may be less useful now that his self-centered personality has saddled him with a rather annoying curse, turning him into a black rabbit any time a female gets near! For a rocker the girls go crazy over, this is quite the predicament.
Monday, August 24, 2009
A Pesky Interlude
I've been very busy over the past week finishing up work on Those Pesky Humans. It's not actually a Wise Turtle product – just a fantasy board game where I was hired on for layout but ended up contributing a bit of game design and writing, too. It's a fun take on the age-old "Humans have come to take the Monster's carefully collected hoard" trope, with players taking sides in the quest to procure legendary treasure/oust the human invaders. The PDF "Print it yourself" version is out now, with the actual boxed game available later this year. But since the PDF price will go towards your purchase of the boxed game, if you order direct from Minion Games, you don't have to worry about paying for the same game twice. You can find out more and purchase the game here.
Okay, with my plugging done, you can look forward to more OVA next week!
Monday, August 10, 2009
Master of Magic
The Magic Abilities, both Arcane and Witchcraft, are the only ones to retain an Endurance cost. Despite this, the rules here have also seen streamlining. Like elsewhere, Players can now use the Ability Perks and Flaws to alter the nature, and the Endurance cost, of each spell. No longer are there built in Endurance costs for casting without gestures, or even without words. All of these, if desired, are handled through the Perk/Flaw System.
The Endurance cost itself has also been simplified. Instead of annoying math like "pay half the initial Endurance cost each round" for keeping a spell in effect, there is no such extra expenditure. The amount you pay up front is the amount you pay, no matter how long the spell is in effect.
The rub is that this Endurance cannot be regained until the spell is relinquished. That 10 Endurance you spent is gone, no matter how much you rest, until you give up the effects of the spell. It's like a semi-permanent chunk of your character's fighting spirit is locked away within it. It's certainly easier to handle, and I think it is more thematically appropriate to the Ability.
Auren certainly knows his way around magic. But despite all his knowledge as a venerable sage in his world, nothing can prepare him for life as a Japanese teenager in ours.
Monday, August 3, 2009
On a Roll
While surely I hope to make OVA's long-planned supplements materialize this time around, you know, at some time before paper becomes completely obsolete, I also plan to support the game in a lot of little ways all the time, so that there's not quite such a vacant gap between releases.
While gaming merchandise is one possibility (like cute/cool folders to haul your game notes in), I also am looking into digital supplements to the game. These were planned last time around, but my personal programming expertise left a lot to be desired, and all that came out of it was a dice-roller I never publicly released. This time I hope to do it right, and get some people who actually know what they're doing to help me out.
One of the first things I'd like to release is a dice-roller for the iPhone/iPod Touch OS. Being able to shake your device and actually see 3D rendered results is a lot more tactile and entertaining than one might think! Gandreas Software has produced a very nice generic dice-roller, one which can handle even OVA's offball mechanics. I'm currently speaking with them in the hopes of producing an official OVA version of the app. We'll see!
While we're waiting, are there any other programs you'd like to see for the game?
Monday, July 20, 2009
The Deflection of Exception
A goal of the Revised Edition is to remove any unnecessary permutations of the basic way things work. OVA is already a simple game, but these little speedbumps, rules that, due to their uniqueness, force reference to the book for this chart or that quick note, rarely add something that can't be handled another way.
Armor is one of these. Before, this Ability would subtract a value from all Damage taken. On the surface this makes sense, but in practice it adds another step to combat. Nowhere else does anything add or subtract from Damage, and the Armor chart itself is not similar to any other Ability's progression.
So how is this fixed? Instead of subtracting from the final Damage dealt, Armor now subtracts from the attacker's Damage Multiplier by an amount equal to Armor's Level. If the attack has a DM of 4, and Armor is Level 2, then the attacker's DM is 2. It's very simple, very quick, and doesn't involve subtracting numbers from an ever changing amount of Damage.
The major effect of this change is that Armor is now a little stronger at low Levels and arguably weaker at high Levels. But considering Level 1 Armor used to subtract a pointless 2 Damage, it's not a bad change.
But what happens when the DM is reduced below 1? You may remember the Weak Weakness and the Unnatural Resistance Ability gave rules for fractional Damage Multipliers, with such nonsense as "one Damage for every three dealt." All that is gone. Instead, if your DM is ever reduced below one for any reason, treat it as 1/2. Or, if you find it simpler, treat it as normal and then half the final Damage. No complicated fractions, and your Damage output is still satisfyingly weakened.
Shadowman here is easily the most heavily armored character in OVA. His ebon shell is not only his protection and his source of power, but also the very thing that keeps him alive.
Monday, July 6, 2009
Happy Birthday, America!
Monday, June 29, 2009
A Book By Its Cover
So readers, I'm asking for your input once again, but this time on a more specific issue. As detailed in a previous post I've changed OVA's size from the traditional RPG standby 6" x 9" to the A5 format more common to various Japanese oriented publications. I'm wondering how far I should take this...
Essentially, I'm considering a dust jacket. If you do any amount of importing Japanese books or, at least, have seen a copy of such translated volumes as "How to Draw Manga," you've probably noticed a Japanese penchant for printing even paperback books with a dust jacket. The dust jacket features full color art, but underneath the actual cover is usually printed in a monochrome color. Sometimes this "hidden" cover features small comic strips, secret artwork, or other nifty things. So my question to you all is this: Would such a thing be a clever nod to OVA's roots in Japanese media? Or would it just be an obnoxious addition that's difficult to deal with at the table?
Essentially, I'm considering a dust jacket. If you do any amount of importing Japanese books or, at least, have seen a copy of such translated volumes as "How to Draw Manga," you've probably noticed a Japanese penchant for printing even paperback books with a dust jacket. The dust jacket features full color art, but underneath the actual cover is usually printed in a monochrome color. Sometimes this "hidden" cover features small comic strips, secret artwork, or other nifty things. So my question to you all is this: Would such a thing be a clever nod to OVA's roots in Japanese media? Or would it just be an obnoxious addition that's difficult to deal with at the table?
Monday, June 22, 2009
Gotta Catch 'Em All!
Besides new rules, the Revised book also rounds out the cast of sample characters with a few new faces. This guy here is one of them, and he's for all of you monster battling fans out there. (You know who you are). Yuu's write-up is true to form: He can give his monster companion commands, but the more powerful ones can only performed after he has built up his Level in a unique Ability: Trust.
If that's not fit for Saturday Morning romps, then I don't know what is! But Yuu's quest has more serious tones. Not only is his chronically ill sister missing, no one seems to remember she ever existed. He only hopes that with his newfound friend, he can uncover the mystery surrounding her disappearance.
Monday, June 15, 2009
Stand and Deliver!
One of the most intrinsic parts of many characters is how they make things go boom. Anime is nothing if not rife with powerful heroes wielding magnificent weaponry, displaying fantastic martial arts, or otherwise decimating the landscape. The original OVA represented this through three completely separate Abilities – Weapon, Martial Arts, and Power Move – and none of these are handled in the same way. Weapon applies the game's perks in a manner completely different from Power Move, and Martial Arts forbids them entirely. To make things worse, I still see people from time to time using Power Move in completely oddball fashions. OVA Revised fixes this pretty simply.
By getting rid of all of them.
Yes, you heard right. In their place is the new Attack Ability. Attack is delightfully simple. Give it a Level, add that level to your Damage, and you're done. You don't have to do anything further. In the game, you can describe this in any number of ways. Energy blasts, roundhouse kicks, thrown furniture, it doesn't really matter. Damage is always the same.
This works great for quickly created goons and other badguys, or with newbie players, but leaves a little to be desired for most of us. If you want more detail, the Perks and Flaws are still here, and this time around, they always work the same way. Define a suite of specifically defined attacks, and then add Perks and Flaws. Perks always add to the Endurance cost, and Flaws always reduce it. It's sort of like Power Move used to work, only now there's not that pesky minimum Endurance Cost or the confusing Damage progression table.
The sheer versatility this allows is extensive. Instead of simply giving a character Martial Arts, he can now have a plethora of moves that achieve different things. A character can have a saber, a chi-strike, and a fireball attack without having to go through the drudgery of buying three separate Abilities and learning three different ways to handle Perks and Flaws.
And that's the basics of it. Something I still wrestle with is the name, though. I just know people are going to try to add Attack to their Attack Roll, which should never be done. But yet, try as I might, no other word is as all-encompassing as "Attack." It works for everything from guns to rapiers to waves of fire. Feel free to comment with your thoughts!
Shou here is all about attacking. He'll start a conflict for no reason other than it seemed like great fun at the time. And to him, it is.
Monday, June 8, 2009
The Hitchhiker's Guide to Anime Gaming
One of OVA's greatest strengths is the diverse ways in which rules can be applied. With this diversity, however, comes the price of ambiguity. It's good and well that a given rule can be applied in many ways, but that fails to help if you cannot figure out how to represent a particular idea with it. To guide you on the way, the text is now sprinkled with new Expanded Notes boxes. Instead of explicitly clarifying rules or giving examples of the rules in action, they supply specific ways of how the rules could be used. Next to Scale, an expanded notes box gives tips on how to apply Scale to a mecha campaign. Transformation gives several wildly divergent applications of the Ability to cover everything from henshin transformations to power armors. And an extended description of the Attack Ability describes exactly how to create offensive techniques ranging martial arts, firearms, and energy blasts.
Wait, Attack Ability? What's that you say? You'll have to find out next week!
Monday, June 1, 2009
Reader Roundtable
We take a break from our regularly scheduled programming to bring you The Reader Roundtable!
Essentially, I'm asking for you, dear readers, to post comments to this entry. What kind of comments? Whatever is on your mind! Thought of something you'd like to see in a revised OVA game? Or maybe you thought of something you would not ? Or did you just want to stop by, say you like everything so far, but have nothing to contribute? This is your chance to help shape the new edition of OVA, and all comments are welcome.
Still here? Having trouble thinking of something? Well, take a gander at this short collection of quandaries and see if any of them match something buried in your subconscious.
1) Was there anything in OVA you had difficulty understanding or wished there were more examples of?
2) Did you ever make a character and couldn't find an Ability or Weakness you needed? How about a rule to handle a certain situation?
3) Any of the sample characters you found particularly entertaining...or boring?
4) Do you have a favorite anime you wish were better represented? If so, what?
Look forward to hearing from all of you! Those of you more content to lurk can expect a new update next Monday.
Monday, May 25, 2009
An Entry to Endure
As hinted at in the previous post, Endurance has a significant new use; it now represents a character's ability to endure. This seems self-evident, but it can't hurt to have some explicit rules on the matter!
Before I can fully explain, I have to clarify what constitutes a round. In the Revised Game, a round is a nonspecific period of time, one that can be represent the seconds between a furious exchange of blows or minutes of lengthy expository dialogue as heroic adversaries size each other up. All a round is, then, is time enough for everyone to perform an action, and it is no longer a chronological division limited to combat alone.
Whenever a character is attempting to do something strenuous over an extended period of time, they spend Endurance to do so. How much depends on the task, and specific Endurance costs are further explained in the actual book. The effort is split up into rounds.
A classic example is the party's resident muscle-head holding up a collapsing building as others attempt to escape. Each round everyone takes results in the strong character losing 10 Endurance. So what happens if everyone takes too long and Muscle-head runs out of Endurance? He may simply give up, allowing the building to collapse and trap others inside as he steps to safety. But that isn't very heroic, is it? Instead, he may choose to press on, and begins to lose Health instead. If Health is exhausted, the character immediately falls unconscious and has no option of saving himself. The building collapses with him inside. Can he still be rescued? Well...I guess you'll have to see in your game.
Endurance also covers actions like holding your breath, resisting dangerous gasses, and other tests of stamina. No need to keep in mind hard to remember formulas or having to account for minutes in an otherwise abstract representation of time. It's all very simple.
Acacia here is certainly capable of conjuring all kinds of obstacles to test the Player Character's Endurance. Her devious witchcraft can cripple even the most stalwart of heroes, but her unrequited love for her partner Saspar could prove to be her undoing.
Saturday, May 23, 2009
World Turtle Day
Wise Turtle would have my hide if I failed to mention that today is World Turtle Day. Take the time to be kind to our ancient reptillian friends. If you fail to find a friendly specimen to appreciate, at least google a terrapin or two. You might just learn something new!
Monday, May 18, 2009
A Little Something for Nothing
Even though it's a change you may not notice right off, many of the Abilities have been reworked in one significant way: They're Endurance free!
That's right, no Ability has a built-in Endurance cost anymore – Well, except for Magic, but we'll get to that. While it worked okay in the original book, the way some Abilities cost Endurance and others did not begged an obvious question. "Why this one and not that one?" While there were a few cases that an argument could be made, for the most part there simply wasn't a good reason. Worse, in cases like Barrier and Heal, the exchange of Health for Endurance made them questionably useful. So problems like these have been eliminated.
This segways into another change observant readers may have already noticed, and that's the adjusted role of Perks and Flaws. Originally, these could only be applied to a select few Abilities, and mainly the Power Move Ability. The rename from "Power Perks and Flaws" to "Ability Perks and Flaws" carries with it the capacity to apply many of these to any Ability in the game. Of course, logic and common sense rule, but it's a change that allows much more versatility and a little less shoe-horning. That's not to say it's a free ticket, as some of the previous Abilities have been weakened a little to compensate. How do you get them back up to par? With Perks and Flaws, of course.
Magic still has a built-in Endurance cost due to its powerful nature. But it's an exception that seems to make sense. Magic is always tiring, after all. And the power to mimick every other Ability – or in the case of witchcraft, Weakness – is a power that needs some drawback.
Endurance also has some other new roles, but that's a topic for another day. For now, I leave you under the watchful eyes of Captain Jiro and Dr. Tomori. Between Jiro's compuslive work ethic and Tomori's network omnipresence, can you ever really be sure you're alone?
Labels:
abilities,
endurance,
jiro,
perks and flaws,
tomori,
weaknesses
Monday, May 11, 2009
The Look of the Thing
Much of the reason to do a Revised Edition was a chance to make the rules faster, clearer, and better than ever, but it was also an opportunity to improve the book's actual look. While many readers have complimented OVA on "looking great for an indie game," I felt like OVA should look good without the stipulation at the end. The original book was done on a shoe-string budget, and in many ways it showed. While I never felt any of the art was bad, the book was a mish-mash affair of many artists, most of whom had no real stylistic congruency with anyone else. This time I felt a measure of consistency was key.
But it's not just the art that's changing. While the text itself was clear enough, I felt like I could do much better now with a few years of experience under my belt. As such, I'm completely redoing the book's layout. But the change you'll notice as soon as you get your hands on it is that OVA is now in the A5 format. For those of you not into paper-speak, this is an international standard that's a tad shorter than the original book. Why you ask? I always felt the original 6"x9" had an overwhelmingly tall aspect ratio to it, somehow confining and cramped in its slender page-width. A5 feels much more open and, on top of that, is one of the standard sizes you'll see over-sized manga published in. So OVA will now sit nicely next to all the rest of your Japanese-inclined books. Not to mention it frees up that much more valuable table space during a game.
Someone else that's seeing quite a few changes is Ai. Yes, that's her. Quite a new look isn't it? I wanted to make sure that all the characters were visually interesting and looked like a lot of fun to play. A handful in the original book just seemed to be drab and overshadowed by the technicolor awesomeness of the flashier sample characters. Ai's design also incorporates another change: She can somewhat dampen her powers through heavy gloves. But she can never fully escape her psychic awareness...or the empty hole of her past.
But it's not just the art that's changing. While the text itself was clear enough, I felt like I could do much better now with a few years of experience under my belt. As such, I'm completely redoing the book's layout. But the change you'll notice as soon as you get your hands on it is that OVA is now in the A5 format. For those of you not into paper-speak, this is an international standard that's a tad shorter than the original book. Why you ask? I always felt the original 6"x9" had an overwhelmingly tall aspect ratio to it, somehow confining and cramped in its slender page-width. A5 feels much more open and, on top of that, is one of the standard sizes you'll see over-sized manga published in. So OVA will now sit nicely next to all the rest of your Japanese-inclined books. Not to mention it frees up that much more valuable table space during a game.
Someone else that's seeing quite a few changes is Ai. Yes, that's her. Quite a new look isn't it? I wanted to make sure that all the characters were visually interesting and looked like a lot of fun to play. A handful in the original book just seemed to be drab and overshadowed by the technicolor awesomeness of the flashier sample characters. Ai's design also incorporates another change: She can somewhat dampen her powers through heavy gloves. But she can never fully escape her psychic awareness...or the empty hole of her past.
Monday, May 4, 2009
The Question of Man Versus Mecha
One of the recurring questions I see about the original OVA was "how well does it handle mecha?" Surely, giant robots are an integral part of anime, so it's a logical concern. But I've never honestly understood why mecha automatically follow a different subset of rules than any other character in the game. I have seen other RPGs devote entire new chapters for mecha, but at the end of the day, the only difference is one part of the book refers to an advantage as "speedy" and in another as "enhanced engines." It's unnecessary. Mecha are characters too, just a little bit bigger and with a pilot for a brain.
That said, there has been a glaring omission that makes running mecha games more problematic, and that's the question of scale. In OVA, everything is relative. The idea of an Ability ranked at +3 being excellent is compared to what would be average for that character. And what is average for a human being has very different implications than what is average for, say, an automobile. Even a slow, rattletrap truck is considerably faster than a marathon-running athlete.
To resolve this, there is now something called the Scale Advantage. Whenever these is a conflict of scale, the Game Master rules that one side or the other has a Scale Advantage. That side gets a +5 bonus to their roll. To use our previous example, a truck with -1 Slow would roll one pitiful die in a test of speed, while our marathon runner with Quick +3 would get 5 dice. But with the Scale Advantage, the truck can now muster 6 dice. A more fair comparison, surely.
However, in OVA, scale is a dynamic consideration. It's not possible to simply create a mecha scale, a starship scale, and a Death Star scale. If we revisit our example again, imagine our truck and runner both trying to navigate an alley way riddled with tight turns, heavy dumpsters, and obstructing buildings. Clearly the marathon runner is much more nimble than the hulking hooptie. The truck would have no Scale Advantage. In fact, if the surroundings are especially difficult to traverse, the Game Master may give the Scale Advantage to the runner! It's a quick, easy calculation, and requires no conversions, complex math, or other game-bogging considerations.
The idea of Scale Advantage being on a case-by-case basis, instead of a permanent part of a character, also allows different cinematic treatment of mecha. In Evangelion, Gundam, and other typical giant robot shows, mecha would have Scale Advantages for everything from Quick to Armored. On the other hand, these mecha can be torn to pieces by human combatants in shows like Project A-ko, and should receive few, if any, of these things.
Someone else familiar with scale is the mischievous kitsune Nazo. While perhaps not on quite the same level as towering mecha, Nazo's ability to alter her appearance and size makes her a dangerous adversary indeed.
Monday, April 27, 2009
A Rose by Any Other Name...
It was a conscious decision to not refer to the new book as a Second Edition. While there are a handful of significant changes, you're not looking at the sort of wide-swept revision seen between 2nd and 3rd Edition Dungeons and Dragons (or 1st and 2nd or 3rd and 4th for that matter). By and large, a person with a copy of the 1st Edition of OVA and the new Revised Edition can carry on a conversation and even play a game together without confusing each other too much. While new rules and rule changes will be discussed in later posts, I am going to address the substantial number of name changes. Certain Abilities and terms in the original game were a bit unclear, ambiguous, or simply a little inconsistent, and I'm using the Revised Edition to repair some of that. Hopefully the following list will prepare you all at least a bit, though it fails to mention new, removed, or otherwise drastically altered Abilities and Weaknesses. The Original Edition version appears first, followed by the Revised Edition term in bold. Any notes on changes will appear in italics.
Damage Total · Damage Multiplier Damage Total was always misleading, as it was not really a total of anything. Damage Multiplier conveys its actual purpose much better.
Acrobatics · Acrobatic This will be one of many changes for more "description" oriented names for Abilities. I wanted, whenever possible, for character sheets to read like a description of the character. Oddball nouns like Acrobatics or Invention fail to do that well.
Armor · Armored
Charisma · Charismatic
Intimidation · Intimidating
Invention · Inventor
Occult Knowledge · Spirit Medium
Servant · Companion
Unnatural Resistance · Resistance
Airhead · Clueless
Strange Personal Habit · Strange Habit
Unnatural Weakness · Vulnerability
Power Perks and Flaws · Ability Perks and Flaws
Extra Knockback · Mighty Blow
No Attack Gesture · No Gesture
No Knockback · Feather Blow
Slow · Delayed Changed to prevent confusion between the Slow Weakness and the Slow Flaw
On the art front, everyone's favorite robo-girl Miho and her hapless savior Braun make their revised debut. The designs should be familiar to old readers, but there are quite a few new details.
Labels:
abilities,
braun,
miho,
name changes,
perks and flaws,
weaknesses
Monday, April 20, 2009
What is to Come
So here we are. It's been over four years since the original OVA Role-Playing Game was released as a PDF in February of 2005. OVA has grown a lot since then, both its dedicated fanbase and the game itself. But with time, hopefully we all grow a little wiser and a little better at what we do. And while OVA accomplished much more than I ever anticipated, it felt like time to revisit this little game and make it the best little game it can be. Enter: OVA Revised Edition!
So what should you expect to see here? This blog is your inside scoop on everything new with the OVA RPG. It's still the same game fans worldwide know and love, just a little bit better in every way. You'll see new rules, and simplification and improvement of old ones. You'll also get a preview of OVA's entirely new look, like the illustration of Raine seen to the right, penned by fan-favorite Niko Geyer. Eventually you may even get a release date - exciting! So check back every Monday and find out more about the new OVA Revised Edition!
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